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We elected to go for sunset because we are staying in Kapalua and did not want to get up at 2am for sunrise. We spent the day visiting other local attractions and headed up about 3pm. It was very cloudy and rainy going up and we had our doubts about if it was worth the trip. We had downloaded the Gypsy App for Haleakala which is a guided audio tour and it reassured us that the weather would be different at the top and it was! Sunny and clear, although the temp went from 80 down to 63 degrees at the top. The Visitors Center at the base is under construction and the one at the top is open from 10-3:30. There are restrooms at the summit. There are many switch backs and driving can be nerve racking but definitely worth the views.

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Jumbo latex balloons I love the soft feel of clothes that come out of the dryer. I also love the fresh smell of line dried clothes. What I do is hang the clothes to dry, then pop them in the dryer for about 10 minutes with a damp wash cloth/towel to soften them. This saves electricity also since I have an electric dryer.

Free drunk girl sex videos Ageing, he thought, comes about because this developmental programme, this constant change, never turns off. From birth until puberty, change is crucial: we need it to grow and mature. After we ve matured, however, our adult bodies don t need change, but rather maintenance. If you ve built the perfect house, you would want to stop adding bricks at a certain point, Walker says. When you ve built a perfect body, you d want to stop screwing around with it. But that s not how evolution works. Because natural selection cannot influence traits that show up after we have passed on our genes, we never evolved a stop switch for development, Walker says. So we keep adding bricks to the house. At first this doesn t cause much damage a sagging roof here, a broken window there. But eventually the foundation can t sustain the additions, and the house topples. This, Walker says, is ageing.

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 De Magalhaes and Gladyshev are under no illusions about the arduous journey but they remain hopeful. History is full of claims by experts that certain advances are impossible, only to be proven wrong soon after, says de Magalhaes. Consider the state of medicine just 120 years ago, when some of today s bowhead whales were still in their infancy. Back then life-threatening infections were just a fact of life. Today, antibiotics are taken for granted as the most basic healthcare.  Adult birthday hat

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I live on the OR coast, just West of Portland (even more rain 70-100 inches), and you feel pretty stupid (regardless of race) not wearing waterproof clothing. We basically get wind-driven rain for about 10 months solid, and if you are at the office and head out for anything- lunch, home, post office- you better be wearing a Marmot or a N face with a hood. My personal favorite: the Seattle cowboy hat - this is a waterproof goofy looking floppy hat with a drawstring to keep the wind from blowing it off. You need rain pants to walk the dog and we have shoes that feel kind of like nikes but don t get wet. Other popular N Coast items: generators, coleman stoves, board games, canned food, lots of matches/candles (for when the storms knock out the power for a week). If you have to barbeque outside after your house just got its roof blown off in December and you ve been out of power for a week, yeah, guess what- bring on the cool outdoor gear. Its not like my brother in CA wears this stuff, hes white, but he just doesn t get all that crazy rain. Australian girl nude Couple homemade sex

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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

A further addition to the 1855 set of reference photographs taken by Jean Louis Marie Eugène Durieu, for the famed artist Eugène Delacroix.

A further addition to the 1855 set of reference photographs taken by Jean Louis Marie Eugène Durieu, for the famed artist Eugène Delacroix. 

An early 20th century male nude by Guglielmo Plüschow, his typical set-dressing with patterned carpet and fabric making a fine backdrop to the timeless masculine beauty of his models.

An early 20th century male nude by Guglielmo Plüschow, his typical set-dressing with patterned carpet and fabric making a fine backdrop to the timeless masculine beauty of his models.

Published as a postcard circa 1910, this sandalled strongman leaves nothing to chance in protecting his modesty, and wears a large paper leaf, thoroughly secured with plenty of string!

Published as a postcard circa 1910, this sandalled strongman leaves nothing to chance in protecting his modesty, and wears a large paper leaf, thoroughly secured with plenty of string!

Though very similar to this other photograph by von Gloeden, the mood here is changed entirely - no peace and gentleness in the model’s pose, the addition of some dark stain to represent blood spilling beneath his fingers.

Though very similar to this other photograph by von Gloeden, the mood here is changed entirely - no peace and gentleness in the model’s pose, the addition of some dark stain to represent blood spilling beneath his fingers.

What a beautiful classically-inspired scene from von Gloeden; quite typical of his work, and quite lovely!

What a beautiful classically-inspired scene from von Gloeden; quite typical of his work, and quite lovely!

A second artist’s reference image of this tall and well-toned model posing for Jacques de Lalaing, some time in the 1880s or 1890s. This print has been neatly drawn over with a grid pattern, which proves its former usefulness to the artist, even if...

A second artist’s reference image of this tall and well-toned model posing for Jacques de Lalaing, some time in the 1880s or 1890s. This print has been neatly drawn over with a grid pattern, which proves its former usefulness to the artist, even if it does distract somewhat from the aesthetic appeal of the shot, and the model’s good looks!

Four confident and classically elegant models clasp hands and pose in leafy unspoilt countryside, for the camera of Guglielmo Plüschow around the turn of the last century - could they be the same group seen enjoying a similar setting in this...

Four confident and classically elegant models clasp hands and pose in leafy unspoilt countryside, for the camera of Guglielmo Plüschow around the turn of the last century - could they be the same group seen enjoying a similar setting in this photograph?

The Martyrdom of St Sebastian, by Oscar Rejlander circa 1867 - the earliest photographic representation of this saint in my collection, all three gathered here.

The Martyrdom of St Sebastian, by Oscar Rejlander circa 1867 - the earliest photographic representation of this saint in my collection, all three gathered here.

A skilfully composed garden scene by Wilhelm von Gloeden, taken toward the end of the 19th century at his villa in Taormina, Sicily.

A skilfully composed garden scene by Wilhelm von Gloeden, taken toward the end of the 19th century at his villa in Taormina, Sicily.

A deliciously explicit addition to my collection of early-1900s photographs featuring the incomparable Il Serpente, ‘The snake’ - the most naturally blessed and beautifully, brazenly seductive of all Vincenzo Galdi’s models.

A deliciously explicit addition to my collection of early-1900s photographs featuring the incomparable Il Serpente, ‘The snake’ - the most naturally blessed and beautifully, brazenly seductive of all Vincenzo Galdi’s models.

One of von Gloeden’s most recognisable models, the charming Pascquale Stracuzzi or ‘Pasqualino’ (right), in a very similar pose to this beautiful photograph, but here having gained an equally graceful and good-looking companion.

One of von Gloeden’s most recognisable models, the charming Pascquale Stracuzzi or ‘Pasqualino’ (right), in a very similar pose to this beautiful photograph, but here having gained an equally graceful and good-looking companion.

A further page of Louis Jean-Baptiste Igout’s reference photographs for artists, published between 1870 and 1880 by A. Calavas as an affordable and convenient alternative to life models, and especially useful for amateur artists working at home.

A further page of Louis Jean-Baptiste Igout’s reference photographs for artists, published between 1870 and 1880 by A. Calavas as an affordable and convenient alternative to life models, and especially useful for amateur artists working at home.

The magnificent Eugen Sandow, photographed here in 1894 by George Steckel, his physique looking every bit as impressive to a modern eye as it would have to his contemporaries.

The magnificent Eugen Sandow, photographed here in 1894 by George Steckel, his physique looking every bit as impressive to a modern eye as it would have to his contemporaries.

The bejewelled boy from Naples, his distinctive necklace and bangles barely visible in this shot, but more revealed by the dropping of the dark fabric which carefully covered him, when he posed for the better-known image in this set, Pompeii c1895.

The bejewelled boy from Naples, his distinctive necklace and bangles barely visible in this shot, but more revealed by the dropping of the dark fabric which carefully covered him, when he posed for the better-known image in this set, Pompeii c1895.